I don't know how many records I'm selling.

I don't know that the best way to approach it is to try and keep up. When you're doing that, you're setting yourself into a one-dimensional sort of race basically.

Because there's so much stuff I don't release.

But I don't really listen to much be-bop at all at the moment.

Doing something like that, quite radically changing your approach to sound in one go, could leave you high and dry. It's happened before where people have changed direction and then everyone's stopped liking their music.

I couldn't find a group that wanted to do what I wanted to do. No one was really up for it.

I don't have a conscious vision really.

Because, when I'm making music, I don't think about anything, you know? All I think about is what I want to hear. So that for me is what I want - I want my head to be constantly being rearranged.

Also, I want someone to give me a contract to do a whole soundtrack for a film. It's good because I can visualize it when I listen to it.