I needed to do something to make money and, when I was living in Paris in the '50s, I told stories to people like Franeois Truffaut before they were directing. They were writing.

I have a problem with censorship by the lawyer - by legal people by the publishing firm, and I may be changing publishers. They don't seem to want to take too many risks with living people.

The music rights at the time cost me $12,000 in 1964 money, which is about double now or whatever. But I cleared everything. I had a lawyer in New York. And it was cleared for use in a short subject, not a feature.